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Anything can happen on the weekend jam nights when the most popular Hungarian musicians create random formations and play true bebop to entertain the audience.

Cseke Gábor is an incredibly versatile pianist, who  has  co-worked  in  many  important Hungarian bands.

The band aims to preserve the traditions of the quintet formation, one of the most original and sonically rich configurations in jazz music.

The members play their own songs varoiusly on their own and other intruments. 

In this Hungarian improvisational theatre play, two teams face eachother to form a complete story with just a few words. You can enjoy it without understanding the language.

4Dogs, led by András Wahorn, attempts to transform momentary impressions of several musicians to musical language, to communicate with sounds and tones.

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The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound and flair for live performance. 

SOLD OUT!

The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound and flair for live performance. 

BJO believes in the importance of making the music available to the jazz-loving audience, to show them how it has changed and evolved in the past decades, and to introduce them to the various performers who are considered as milestones in this style of music.

Anything can happen on the weekend jam nights when the most popular Hungarian musicians create random formations and play true bebop to entertain the audience.

Károly Binder has employed his great talent in the task of synthesising new trends, diverse music cultures, compositional techniques and improvisational systems, while never forgetting his own musical roots.

Anything can happen on the weekend jam nights when the most popular Hungarian musicians create random formations and play true bebop to entertain the audience.

Jazz critic Dave Gelly of The Observer has described her as “one of the most stylistically flexible pianists around, with a marvellous, slightly husky singing voice”.